Parenting Style, Socio Economic Status Of Family And...

Child development included the physical, cognitive, social, and emotional maturation of human beings from fetal period to adulthood. That is also a process which is influenced by interacting biological and environmental processes. About the environmental influences, the family has the most important impact on child development. The influences that I would like to discuss are the parenting style, socio-economic status of family and maternal education. Parenting Style Parenting style is a standard strategy that parents use to care and educate for their child. Baumrind, who studied parenting styles during the early 1960s, concluded that they differ in four important areas: parents warmth/nurturance, discipline strategy, communication skills, and expectations of maturity. She posited three types of parenting styles: authoritarian, permissive, and authoritative (Berger 2001, as cited in Sarac 2001) Authoritarian Parenting In authoritarian parenting, parents more communicate to their children but children less communicate to their parents. Parents also have high expectation to their children. â€Å"Parents instruct and order, do not consider the children s opinion as a group, and discourage verbal give-and-take† (Gonzalez-Mena 1993, as cited in Sarac, 2001). Children become passive due to obey their parents in order to avoid punishment from their parents. â€Å"The authoritarian parents assign the child the same responsibilities as adults (Scarr, Weinberg, and Levine 1986).ParentsShow MoreRelatedRacism And The Australian Human Rights Commission1626 Words   |  7 Pagesphysical health, life expectancy, and social cohesion. Evidence suggests that discrimination and racism are linked to a range of adverse health conditions, including poor mental health and wellbeing in children aged 1 to 15 years (Mitchell, 2014). Maternal race is one of the most analysed, robust, and puzzling findings in the epidemiology of prematurity. It is believed that African-American women are two to three times more likely than white women to deliver preterm and this space appears to have beenRead MoreEarly Childhood Development : A Social And Cultural Context ( Maggi 2010 ) Essay2207 Words   |  9 Pagessuch as family, education, socio-economic status and exposure to disease influence a child’s development. This paper represents a critical analysis of the implications of this approach associated with early childhood development. I will first give you my view on this social phenomenon following the social gradient and how it is manifested in this life stage. I will then discuss the implication that could help improve health in early childhood. I have witnessed domestic violence among family membersRead MoreParenting Styles and Their Effects Essay1814 Words   |  8 PagesThe family system and parents are generally regarded as one of the most powerful forces in shaping adolescents. Parents have a great influence in the development of adolescents. The relationship of the parents largely effect the development of adolescents and is an important factor when looking at development. Well-adjusted adolescents tend to have intact families that are supportive and create a warm and loving environment with constant monitoring of behavior. The review examines the currentRead MoreChild Abuse Is A Serious Problem With Devastating Consequences2957 Words   |  12 Pagesinclusion criteria and were evaluated. The four interventions that showed effectiveness in preventing child maltreatment include: home-visiting, parent education, abusive head trauma prevention, and multi-component interventions. Three of the interventions showed effectiveness in reducing risk factors including: home visiting, parent education and child sexual abuse prevention. The following three articles have been described in detail within our literature review. The first article, entitledRead Moreeffect of parenting style on the academic development of children6694 Words   |  27 PagesDictionary of contemporary English imply the father or mother of a person. It also went on to disclose its view on parenting as the skill or activity of looking after your own children. Davies (2000) opined that parenting (or child rearing is the process of promoting and supporting the physical, emotional social and intellectual development of a child from infancy to adulthood. Parenting style is a psychological contrast representing standard strategies that parents use in their child rearing (stantrockRead MoreSingle Working Mothers : A Long Lost Memory2922 Words   |  12 Pagescurrent events and the difference between what they should do and what they want to do? With every passing year, society seems to move at a faster pace where families do not find time to sit and talk to each other. It is a more and more rare occurrence when children get to see their parents. Dinner tables now contain unhealthy fast food and family outings are a long lost memory. A mother is responsible for strengthening the roots of the child so that they bloom into productive and responsible individualsRead MoreThesis, Term Paper, Essay, Research Paper21993 Words   |  88 Pages51% of whom gave birth (Coley Chase-Lansdale, 1998). Available literature suggests that fertility rates in developing countries have declined in the past two decades (Dickson, 2002; Caldwell Caldwell, 2002). It is argued that due to changing socio-political circumstances, women have reassessed the timing of childbirth and the role of motherhood in their lives (Preston-Whyte and Zondi, 1992). It has been found that the average number of children per woman has been reduced significantly when comparedRead MoreThemes Of Development : Prenatal6705 Words   |  27 Pagesthe development of the cells into various parts of the human body (Broderick Blewitt, 2015). Social/Cultural: The social support of the mother and the culture that she lives in can influence neo-natal development. The mother’s socioeconomic status and culture may influence nutrition, access to appropriate pre-natal care, exposure to teratogens, and stress levels. For example, Sutal and Nerkat (2014) conducted a study of low birth weight babies in Aceh Province, Indonesia, and discovered thatRead MoreCoping Mechanism of Families with Autistic Children5009 Words   |  21 Pagesperson, their families are the ones who should handle the responsibilities in raising their autistic children. Since they have to raise the children with a disability, a big burden corresponds to the adjustment they have to initiate to their autistic child and for the whole family as well. Their responsibility is even more difficult since there are expenses due to the special needs that should be provided in raising their children with autism. The families’ responsibility for their education along withRea d MoreFactors Affecting the Career Choice of Senior High School Students9169 Words   |  37 PagesTECHNOLOGY, MATTI, DIGOS CITY, IN THE FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN EDUCATION (Educational Administration) OCTOBER 2012 APPROVAL SHEET This thesis entitled â€Å"FACTORS AFFECTING CAREER CHOICE OF STUDENTS IN MABAMA† prepared and submitted by DAMIAN II A. ABAYON in partial fulfillment of the requirements for the degree of Master of Arts in Education, is hereby accepted. ZANDRO P. IBAŇEZ Ed.D HELEN W. NOEL Ph.D Member Member _____________________

William Shakespeare s Brave New World - 925 Words

Throughout the novel, Brave New World, the author, Aldous Huxley strategically incorporates various Shakespearean allusions into his story. The most distinguished allusion throughout the entirety of the novel is to a quote from The Tempest, a play about a sorcerer and his daughter that live together on a remote island. The quote from The Tempest, in which Brave New World derives its name, â€Å"O, wonder!/How many goodly creatures are there here!/How beauteous mankind is! O brave new world,/That has such people in t!† (The Tempest, William Shakespeare, V, i), is spoken by Miranda, the daughter of Prospero, the sorcerer. Miranda says this because, after the tempest Prospero orchestrated using his magic, men from the outside world shipwreck on their island. Miranda then, after being exposed to these men, remarks that they are beautiful, though, Miranda is very impressionable, considering she has never encountered any other man other than her father nor has she experienced a life off the island. On the other hand, Brave New World is a novel that takes places in a seemingly utopian setting. The passage shows John the Savage, a man which was raised on the Savage Reservation but is later brought to the World State, the society in Brave New World in which people are â€Å"created,† literally, equal and are brainwashed into assuming that pleasure is the sole purpose of life, alluding to the Shakespearean quote. Not only does this reciting of the line suggest a parallel to Miranda, but John’sShow MoreRelatedWilliam Shakespeare s Influence On Modern Culture1090 Words   |  5 Pages Sam Ebersole Mrs. Ruiz English 9A Period 1 19 November 2015 Shakespeare s Influence on Modern Culture William Shakespeare is one of the world s most influential people to ever live. â€Å"BBC audience survey names Shakespeare as Britain s Man of the Millennium.† (Andrews 2) Shakespeare’s works continue to be evident globally in modern society. Hundreds of years after William Shakespeare’s death, his influence continues to make an effect in the modern day English language, modern movies andRead MoreAldous Huxley s Brave New World1334 Words   |  6 Pageso read Aldous Huxley’s Brave New World is to understand the fear for the future during the 1930’s. Widely considered ahead of its time, Brave New World is one of the most influential novels regarding the destructive outcome of genetic and public manipulation through regime control. The story contrasts two worlds: the traditional world where the â€Å"savages† reside and the new World State: a negative utopia where unrestrained sexual freedom, reproductive technology, and mind numb ing drugs run rampantRead MoreAnalysis Of Aldous Huxley s A Brave New World1708 Words   |  7 Pagessocieties, specifically those of the fictional variety we apply our mashed set of ideals based on truth and happiness on each of these different societies . In Aldous Huxley’s A Brave New World, by conventional societies ideas the citizens of the world state know nothing of traditional reality and by the standards of the traditional world are far from a state of contentment, but if examined by the ideals of the society in question the overall appearance is quite different. the population seems happy becauseRead MoreWilliam Shakespeare s Romeo And Juliet 966 Words   |  4 Pages Beauty Over Gold â€Å"Beauty provoketh thieves sooner than gold.--William Shakespeare, 1623. In his book As You Like It, William Shakespeare pointed out the supremacy of love rather than the want of gold and wealth. Truly, beauty is more important to thieves than wealth. Many of the thieves in this world would rather have an elegant woman than to obtain precious rubies. After all, what good is a prosperous man if he doesn’t have a charming woman? Two famous men grab my attention who didn’t fear forRead MoreThe Beauty Of Dystopia By Aldous Huxley1197 Words   |  5 Pagesit lets us vicariously experience future worlds - but we still have the power to change our own. (Ally Condie). Dystopian Literature is intriguing as it exposes the reader to sometimes unconventional concepts and can also serve as a warning to what may become of society if the wrong path is chosen. In literary works of Brave New World, there are many warnings that the author Aldous Huxley establishes through events th at take place in the civilized world. In this dystopian society we can observeRead MoreEssay The Fault of the Character Macbeth in Shakespeares Macbeth1220 Words   |  5 PagesThe Fault of the Character Macbeth in Shakespeares Macbeth Macbeth by William Shakespeare is the story of a brave, honourable soldier who ruins his life due to his own greed for power, respect and wealth. The story starts with Macbeth as the kings favorite soldier, a very respectful, honorable man. Macbeth then is told by the witches his life will change for the better - All hail, Macbeth, that shalt be King hereafter!. In a desperate effort to obtain this promised position of King, MacbethRead MoreMacbeth, By William Shakespeare2081 Words   |  9 Pagesntroduction Macbeth is a tragedy written by William Shakespeare which was first performed in 1606. It discusses the effects that political ambition has on those who seek power. The play begins with the presentation of three witches. Macbeth and Banquo would meet these witches that would then give them their prophecies. Following the witches’ prophecies, Macbeth becomes overly ambitious for power and takes part in the killing of King Duncan, Banquo, and Macduff’s wife and children. The play comesRead MoreWilliam Shakespeare s Macbeth 1652 Words   |  7 PagesMacbeth is one of William Shakespeare s most famous tragedies, it is believed to have been written and first performed in 1606. Sources indicate that the play was written to appease King James I, who had ascended to the throne after Queen Elizabeth I. The play tells a tale of a brave Scottish Thane named Macbeth, whose thirst for power brought him to murder Duncan, the King of Scotland, only to become a tyrant, and have his actions lead to his eventual demise as the tragic hero. Throughout the playRead MoreThe Great Gatsby And Death Of A Salesman1241 Words   |  5 Pagestrait. Perhaps that is why the theme of ambition has been so prevalent in literature. It is the dominant theme in The Great Gatsby by F.Scott Fitzgerald, William Shakespeare s Macbeth, Death of a Salesman by Arthur Miller and The Wolf of Wall Street by Jordan Belfort. In this essay, I will discuss the two ways over ambition can cause an individual s downfall. The first is setting unattainable goals which we can see in The Great Gatsby and Death of a Salesman. The second is trying to achieve your goalsRead MoreAldous Huxley s Brave New World2364 Words   |  10 Pagesshowing a loss of individuality, the loss of deep personal relationships, the loss of creativity, the loss of freedom of thought, misused technology, the overuse of industrialization, and his uses of imagery and allusions in the novel Brave New World. In Brave New World, Huxley warns readers against a loss of individuality as well as a loss of deep personal relationships. By mass producing twins, manipulating embryos, and conditioning children, this society has done away with individuality. Lenina

A safe seat for lightweight vehicles Free Essays

string(94) " concept and the choice of material for the realisation are almost independent of each other\." The Working Group on Accident Mechanics has developed a low mass vehicle (LMV) with a curb weight of 650 kg, called â€Å"Cratch†. This experimental vehicle demonstrates that a high level of passive safety for the occupants of low mass vehicles is achievable in frontal collisions (Frei 97). The development of a car seat suited for use in LMVs has been a part of this project. We will write a custom essay sample on A safe seat for lightweight vehicles or any similar topic only for you Order Now The seat is an important element of the restraint system: In the case of a frontal crash, the initial position of the occupant is defined by the contour and position of the seat, and, during the crash, a part of the occupant’s kinetic energy is absorbed through deformation of the seat base. In rear-end impacts the seat represents the entire restraint system. During a collision against a conventional car, the low mass vehicle, due to the fundamental laws of motion, is exposed to higher accelerations and a larger change in velocity than its counterpart (Niederer 93). The seat presented here was specially adapted to these severe conditions. Nevertheless, almost every feature of the concept could easily be adapted for use in conventional cars. The main focus of the development was on the improvement of the rear-end impact safety, which represents a substantial problem, also for conventional cars. Compared to the considerable improvements of crash safety in frontal and side impacts accomplished during the last years, progress concerning the rear-end impact safety has somewhat stagnated. This may be related to the fact that rear-end crashes are often considered to be less dangerous, since there is a very high surviving probability for the occupants. In spite of this, it is very worthwhile to invest in rear-end impact safety since injuries caused by this collision type do not only cause high amounts of compensation costs but also can have very unpleasant consequences to the occupants involved. Energy absorption In addition to the functional mock-up, two crash-testable models of the seat have been built. They were used in the Cratch experimental low mass vehicle in a full scale frontal crash test with a delta-v of more than 70 km/h, and in a series of sled based rear impact tests. Figure 4: The crash test model of the seat: raw structure and completed seats integrated into Cratch low mass vehicle. Seating position is more upright as in conventional cars. The requirement for a geometrical adaptability for the spectrum ranging from the 5th to 95th percentile occupant alone is not sufficient; the energy absorption capabilities of the seat must also be made suitable for the whole group. This means that the seat must deform softly enough not to exceed tolerance limits for light persons but must also provide enough deformation space for heavy occupants. Since the amount of prototypes was limited, e.g. more than one test per seat specimen had to be performed, the seats had to be reusable, leading to a rather robust and heavy construction. Seats for ‘real world’ use do not have to fulfil the reusability requirement, allowing for a less heavy construction. The seat has been designed to withstand an sled impact speed of 33.3 km/h. This corresponds to a situation in which a standing low mass vehicle is hit on the rear end by a conventional car of twice the weight travelling at 50 km/h. Based on a force-deformation curve of an existing car and an assumed characteristic for the Cratch (which has not been rear-end impact tested) an acceleration-time curve for the Cratch has been calculated and simplified for use in simulations and sled testing. The maximum acceleration level is 30 g. Since it is known that cervical spine injuries can already occur at much lower loads, impact speeds of 22.2 and 11.1 km/h have also been taken into account for the design of the seat. The corresponding acceleration levels for these speeds are only 20 and 12 g, because in these cases impact energy is considerably smaller and the deformation zones of the cars are not deformed to a degree that higher forces (leading to higher accelerations) are built up. In order to find suitable stiffness characteristics for the different energy absorbing units of the seat, a simple computer simulation model was used in which the occupant is modelled by four independent masses. Realistic results with such a model can only be expected in case where there are no, or very little translational displacements between the body parts. For our purposes, this is not a real disadvantage, since the aim is to find a setting wich results in a minimum of relative translational deformations (at least in the upper body regions). In a first step, the model was verified through comparison with a well-tried rigid body simulation program. Unfortunately, there is no model of the cervical spine available yet that is able to exactly mimic the behaviour of a human neck. Figure 6: Simplified rear-end impact model of occupant and seat, used for computer simulation. The deformation characteristics of the paddings have been evaluated by dynamic impact pendulum tests. Energy absorption is performed both by foam paddings and by rotational yielding of the seat back. Yielding is controlled by a deformation element, which consists of a three point bending beam made of aluminium. The yielding moment is 3000 Nm. During loading, the element builds up deformation force in the elastic range only gradually. This is undesirable as it causes a faster backward movement of the head restraint in the first phase of the collision. Bolts have therefore been integrated in the construction to obtain a deformation characteristic that sooner reaches its energy absorbing level. The bolts shear off during the onset of the yielding process and cause higher forces at the beginning of the deformation process. The replaceable deformation elements are the only structural parts of the seat that are supposed to absorb energy. Energy absorbing properties of other load bearing components are irrelevant. This means that the seat concept and the choice of material for the realisation are almost independent of each other. You read "A safe seat for lightweight vehicles" in category "Papers" The centre of rotation of the yielding back rest is positioned relatively high above the seating level. Yielding of the back rest is thus delayed and an earlier contact between head and head restraint is obtained. Because the pelvis is already in contact to the back rest at the beginning of the crash, no considerable relative velocities between the pelvis and the back rest arise during impact and therefore little deformation space is needed in this region. The acceleration levels of the different body parts are mainly influenced by the stiffness characteristics of the foam paddings. The paddings have to be chosen such that relative movements between head, neck and thorax are minimised. A combination was found that works adequately under the conditions mentioned above. Even with an automatically adjusted head restraint, for comfort reasons there will remain some initial distance between the head and the head restraint, causing a delay of the acceleration of the head in comparison to the thorax. A layer of a very soft foam applied in the thorax region reduces the acceleration of the thorax in this first phase of the impact (Muser 94) and thus helps to synchronise movements of the head and the thorax (as tests by Svensson (96) have shown). Assembly of energy absorbing foams in the seat back. A hard foam type (Woodbridge Enerflex) and two softer foams (Dow) have been used. Empty spaces in front of protruding structural components prevent excessive compression of foams and increase of forces in these regions. Renault is hoping supermini buyers will be ‘Vel Satisfied’ with the look of the new Clio, which is revealed by Auto Express with this world exclusive spyshot picture.The distinctive supermini borrows its bold front-end styling from the controversial Vel Satis, and is charged with storming straight to the top of its competitive market sector when it goes on sale in the UK in September priced from à ¯Ã‚ ¿Ã‚ ½7,500. Destined to go head-to-head with the forthcoming Ford Fiesta and the still-secret Peugeot 107, the radical Clio will boast an innovative new range of engines and gearboxes. These include direct-injection petrol and diesel powerplants, and new CVT transmission plus a revised five-speed manual. Both the three and five-door editions will be available from launch, and the duo will be instantly identifiable from the existing cars thanks to bold new headlamps and an aggressive grille. Wing mirrors, sills and side rubbing strips are also revised, as are the edges of the bumpers, which now blend into the slippery lines more effortlessly. At the rear, revised lights share centre stage with a huge Renault badge. And in keeping with company policy, the manufacturer’s name will no longer appear on the bootlid. Major interior changes will place greater emphasis on safety. It’s thought that the Clio will now include curtain airbags, following the lead set by Vauxhall’s Corsa, and it will aim to gather the full five stars in the revised Euro NCAP crash-test series. Equipment levels, too, are expected to be more generous than at present, and will probably include satellite navigation for the first time. Keyless start, as fitted to the Laguna (see photo) and Vel Satis, will not feature, however. The engine line-up will be largely familiar to buyers of the current Clio, as the powerplants are among the newest in the business. The company used to have a reputation for poor-quality, outdated motors, and so has worked hard to transform its entire range into the most sophisticated in the business. First in the line-up will be a new 1.2-litre 16-valver offering 75bhp and class-leading fuel economy, followed by the 98bhp 16v 1.4-litre. The top-of-the-range luxury Clio will be powered by the 1.6-litre unit which features 110bhp, while the 172 tuned by Renaultsport will continue to use the fire-breathing 2.0-litre engine – ensuring it keeps its place at the top of the hot hatch tree. Renault will also keep pushing its diesels, which are enormously popular in mainland Europe. Two options will be available, both based on the company’s state-of-the-art new 1.5-litre dCi oil-burner, with either 65bhp or 85bhp. Gearbox choices will be limited to a five-speed manual and a conventional auto at first, although the firm is experimenting with Nissan’s acclaimed CVT automatic from the current Micra. Renault’s own ‘Easy’ clutchless manual was dropped due to slow sales and is unlikely to be revisited. Of course, the new look isn’t only reserved for the mainstream models. Renault’s stylists have also interpreted it for the fire-cracker hot hatch, the Renaultsport 172. And our spy photographers were able to bring you an all-round tour of the model which must uphold the honour of the craziest hot hatch on the market today. Inside has been treated to a mild spruce-up. You can clearly see new metallic-effect sports trim on the facia, and Renault insiders say that there will be revised specification levels for the UK. However, the main architecture remains unchanged. Visually, the new face has a meaner stare, with an aggressive front airdam that’s open rather than fluted. The deeper rear valance comes with an air-vent groove beneath the bumper line. New five-spoke alloys, a chunky Renault logo on the tailgate, colour-coded side-rubbing strips and a new slash of silver trim complete the picture. As you can see, the styling tweaks lift the Clio’s profile slightly upmarket, giving it a more mature and sensible image – but don’t be fooled†¦ The tuned 2.0-litre four-cylinder 16-valve engine remains one of the most entertaining hot hatch motors of its kind, and the power output will stay at 172bhp, guaranteeing the same performance. However, if enthusiasts were hoping that the wildest hot hatch ever – the Renaultsport Clio V6 – would get the same changes, they’ll be disappointed. As it’s such a specialised, low-volume machine, it is remaining unchanged throughout its lifetime. Not that we are complaining! Something as anti-establishment as the Clio V6 isn’t about to appear dated just because the car it was loosely based on has had a subsequent facelift. Of course, the standard model’s fresh look is designed to keep the Clio riding high in the sales charts until an all-new successor arrives in 2003. This will share its platform and engines with the next Micra, although they will have different interiors and styling to reflect their diverse characters. On the whole, these latest revisions to the range look set to keep interest levels bubbling away for the already successful Clio family. And what’s more, the timing couldn’t be better, as there is a whole host of new metal lurking on the horizon†¦ With the likes of the stylish MINI here this summer, a Fiesta replacement being unveiled in September, the next-generation Peugeot 106 and Citroen Saxo due next year and Volkswagen’s Polo arriving in 2003 as well, the Clio must face up to some stiff competition. But by welcoming its baby to the latest family look, Renault is out to prove that it hasn’t only been concentrating on larger products such as the Laguna, Avantime, Vel Satis and next Espace. There’s more than enough fight left in the supermini – especially as insiders say that the update won’t affect the pricing strategy. How to cite A safe seat for lightweight vehicles, Papers

Irony within Oedipus Rex Essay Example For Students

Irony within Oedipus Rex Essay Sophocles, the playwright of Oedipus Rex, often wrote scripts for events in mythology, which were common knowledge to the populace who viewed his productions. Set in the time of the Golden Period of Greece, Sophocles, knowing that his audience is aware of the outcome of the play, utilizes that foreknowledge to create various situations in which irony plays a key role. By using irony in a play, playwrights can tantalize pre-enlightened viewers into wanting to see how the events occurring mentally affect the main character. The audience receives a large amount of irony in the first few minutes of the play. When Oedipus learns that the bringing to justice of Laius’ killer will rid the city of its plague, he sets out on a path to track down the killer. Oedipus begins cursing the killer of Laius (in reality himself), and proclaims:-â€Å"I mean to fight for him now, as I would fightThis is very ironic, as Oedipus’ father is in fact Laius: so Oedipus is fighting for his own father. Oedipus’ determination for truth and justice leads to his own downfall. He tells the city that he will avenge the murder of Laius, no matter what obstacles are placed in his way:-â€Å"There is nothing I will not do. Certain it is That by the help of God we stand – or fall.†It is this very resolve that leads to his downfall and the city’s shame. The statement is also a prophecy – in his triumph, Oedipus will fall. Oedipus also claims the killer might try and kill him next, and so by â€Å"†¦serving Laius, I serve myself.† Ironically, Oedipus feels that by finding the killer of Laius, he will be protecting himself. Of course, this is nonsense, as he is unaware that his finding of Laius’ killer will not protect him – but destroy him. In fact, the entire ideal of helping the city be rid of the curse is ironic, as it was Oedipus himself who caused the plague in the first place. The characters also create irony themselves, as is shown when Teiresias enters the stage and, reluctant to reveal what he knows, says:-â€Å"To be wise is to suffer. And why did I forget this, Who knew it well? I never should have come.†Since he knows how horrible the truth is about Oedipus’ fate, he is hesitant to reveal it. Thus, he speaks cryptic lines deliberately intended to be ironic, and cover up the truth. Teiresias also knows that Oedipus will eventually meet his downfall over this matter, and states â€Å"have you eyes, and do not see your own damnation?† Teiresias is the blind man who sees, and Oedipus is the seeing man who is blind. This is known by the audience, and Teiresias, all of who know what is going to happen at the end of the play – making it a skillful example of irony against Oedipus. Moments later Teiresias again prophesies Oedipus’ demise:-â€Å"But, as shall presently appear, a Theban born,To his cost. He that came seeing, blind shall he go;Rich now, then a beggar; stick-in-hand, groping his wayTo a land of exile; brother, it shall be shown,And father at once, to the children he cherishes; son,And husband to the woman who bore him; father-killer,The irony inherent in Teiresias’ parting shot at Oedipus is well known by the audience: Oedipus did kill his father and marry his mother. It is also ironic to note that Teiresias’ prophecy o f Oedipus’ fate is almost exactly the same as the riddle of the Sphinx – begun as a strong man, ended as a cripple. .uec1322380bd017f4f2a384e485f3cdd6 , .uec1322380bd017f4f2a384e485f3cdd6 .postImageUrl , .uec1322380bd017f4f2a384e485f3cdd6 .centered-text-area { min-height: 80px; position: relative; } .uec1322380bd017f4f2a384e485f3cdd6 , .uec1322380bd017f4f2a384e485f3cdd6:hover , .uec1322380bd017f4f2a384e485f3cdd6:visited , .uec1322380bd017f4f2a384e485f3cdd6:active { border:0!important; } .uec1322380bd017f4f2a384e485f3cdd6 .clearfix:after { content: ""; display: table; clear: both; } .uec1322380bd017f4f2a384e485f3cdd6 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uec1322380bd017f4f2a384e485f3cdd6:active , .uec1322380bd017f4f2a384e485f3cdd6:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uec1322380bd017f4f2a384e485f3cdd6 .centered-text-area { width: 100%; position: relative ; } .uec1322380bd017f4f2a384e485f3cdd6 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uec1322380bd017f4f2a384e485f3cdd6 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uec1322380bd017f4f2a384e485f3cdd6 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uec1322380bd017f4f2a384e485f3cdd6:hover .ctaButton { background-color: #34495E!important; } .uec1322380bd017f4f2a384e485f3cdd6 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uec1322380bd017f4f2a384e485f3cdd6 .uec1322380bd017f4f2a384e485f3cdd6-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uec1322380bd017f4f2a384e485f3cdd6:after { content: ""; display: block; clear: both; } READ: Gender Communication in the Wo EssayIn Greek tragedies, oracles and prophecies are employed primarily to foreshadow events and help create ironies within the play. They are usually disregarded by the characters, or passed off as incorrect, and this is how they create irony. One example of this is Jocasta’s continual refusal to accept the prophecies. She states that â€Å"no man possesses the secret of divination†, and then proceeds to speak of the prophecy she was given regarding Oedipus as a child – unbeknownst to her, a prophecy already become true. When Jocasta learns of the death of Oedipus’ â€Å"father†, Polybus, she laughs at the prophecies, saying:-â€Å"Where are you now, divine prognostications!The man whom Oedipus has avoided all these years,Lest he should kill him – dead! By a natural death,Jocasta will not admit to herself that Polybus isnt Oedipus’ father, and instead speaks cryptic lines, to try and convince herself that she hasn’t been mothering ill-begotten children with her son. When Jocasta finally admits to herself that she has married her son, she begs him to not continue his investigation, lest he find out himself:-â€Å"(white with terror) what does it matterWhat man he means? It makes no difference now†¦Forget what he has told you†¦ It makes no difference.†Oedipus then states that he will continue until he has unraveled the mystery of his birth, to which Jocasta replies:-â€Å"No! In God’s name – if you want to live, this questMust not go on. Have I not suffered enough?†Jocasta pleads with Oedipus to not continue his investigation, lest he ironically find out about his past. Unfortunately, Oedipus’ Hubris leads him to do so, and he eventually discovers the truth†¦Ã¢â‚¬ ¦giving to the audience the moral of the play: that no man can defeat the Gods’ will. At the start of the play, Oedipus the King is revered as â€Å"Oedipus, O greatest of men†. By the end of the play, the pity of all for Oe dipus the Beggar – â€Å"the man the deathless gods hate most of all† is summed up by the chorus: â€Å"I wish you had never known†. The basic theme of Oedipus Rex is the irony of fate: no mortal man, no matter how powerful and wealthy, can be pronounced happy until he is dead; for no man, however wise, knows what tomorrow will bring. In Oedipus Rex, the anagnorsis to Oedipus causes him to blind himself. The audience therefore pities him, and is positioned to do so through the use of irony. The use of irony in a play allows playwrights to make audiences want to see how the events occurring mentally affect the main character, even if they already are aware of the story, as shown in Oedipus Rex. Bibliography: